Feb 102012
 
Grace Verity, West Australia Regional Meeting

I pray back to front:
Not black mass or anything of that sort,
Simply wrong way round.

I say: Please help me God, or
Be near me God, or
Whatever it is I ask
As if God is not doing these things.

Yet, is God ever not near me? Not
Helping me? Not
All-embracing? All-loving? All-radiant?
Eternal, creative Source? Not there??

Do I think I can turn God on and off with my prayer
Like a light bulb??

God is always with me. Always.
It is I who turn away,
Busy my attention elsewhere…
God is constant, shining Presence, and from this glory I hide my face…

I need to pray right way, to stand up tall and straight:
Oh God who is always showering me with light, help me be open to Your love.
Dearest, deepest, sweetest Self, let me be willing to turn off
my constant inner noise,
and listen to that still, small voice within.

Let me have the courage to hear what is always being sung.

This to You I pray: that I allow myself to be me—truly, madly, deeply.
And within me then, of course, I find You.

Feb 102012
 
Helen Gould, New South Wales Regional Meeting

The willie wagtails

Singing all the moonlight long

Young love once mine.

 

Flies buzz against glass

Beyond a door is ajar

Am I trapped or free?Log, Photo: Wikimedia Commons

 

This Haiku was written with Jean Talbo and Mark Macleod during Writing Weereewa at Silver Wattle, October 2011. Thanks also to Anne Felton, Liz Field and Helen Bayes.

Feb 102012
 
Jean Talbot, New South Wales Regional Meeting and others.

Renga

Afternoon sunshine:
Brown, green, brown, blue, brown again
are the lake floor’s stripes.

Later, as the sun goes down,
a shadow creeps over it all.
Morning sunshine,
suffusing gold into morning mists:
Weereewa awakes.

Startled crimson rosellas
launch skywards as doors open.

Melodious bird
rich cacophonous chorus:
butcher or magpie?

My adult self wants to know
but my inner child cares not.
We come to a close:

sun sinks down behind the scarp.
Birds choose their places.

This Renga (linked verse poem) was written by participants in the writing course with Jean Talbot and Mark MacLeod held at Silver Wattle in October 2011.

At the Elm Tree: (a Sequence of Haiku and Tanka)

Wagtail song threads
through twigs and branches,
clear, sharp, sweet.

Back-lit by sundown
elm branches stretch a curtain of lace,
tea-coloured seeds:
how they float down
and cover the fields.

Seeds, mini fried eggs
thin and crisped,
life-carriers.

Time for the parrots
to glide down from the tree
nto their grass forests.

Hard on my backside
this log has endured
more hardness than I have.

Jul 072011
 

Book review by Topsy Evans, South Australia Regional Meeting

Quaker Origins,  Worship and Identity: Reflections from Kenya by Donald Thomas (Hill of Vision Pamphlet 3, Kaimosi Friends Press, 40pp)

Donald Thomas is a British Friend who  has spent much of his life in Kenya.

He has written an excellent  summary of Quaker practice, both of  the unprogammed variety and also  from the programmed branch of the  Society as found in Kenya. It begins  with a short chapter on Quaker Origins,  and moves on to examine the different  forms of worship as practised today.  The third and fourth chapters are on  Christian Quaker Identity and finally,  A Way Forward for Friends Today.

Donald Thomas is an excellent,  clear writer who is able to express well  known ideas in a refreshing way.

Copies are available from the  author in Kenya, at dbtrat(at)yahoo.com  or closer to home, the FWCCAWPS  Treasurer, PO Box 181, Glen Osmond  SA 5064 for $3 plus $1.20 postage.

Jul 072011
 

Poetry by Sue Parritt, Victoria Regional Meeting

July 1970

I’m migrating to Australia seeking a better life
My father helps me pack my few belongings
My mother weeps
The ship is crowded with hundreds of other
Optimistic souls
Week after week we plough through  stormy seas
Vomit day after day

August 1970

I disembark at Circular Quay
Am driven with other new migrants
To a camp called Villawood
Iron-roofed huts dot dusty ground
Metal chairs chafe our sea-softened skin
In the dining room I swallow bland food
Baulk at orange mush
Blush as a stranger opposite
Snatches my plate smiles gobbles belches
Later some of us are transported to  Central Station
We sit up all night in cold carriages
Children crying adults coughing
In the morning a railway employee spills milk
Over my best coat and doesn’t even say sorry

September 1970

Bright Brisbane morning
Sapphire sky swaying palms friendly smiles
The long journey is over
I have reached the Lucky Country

May 2011

Asylum seeker boat intercepted
Taken to Christmas Island
Captivity misery armed guards
No welcome smiles
No journey’s end

Mar 162011
 
Poems with editorial assistance from Jean Talbot, NSW Regional Meeting.

The poems in this edition of The Australian Friend were created in response to the landscape at Silver Wattle Quaker Centre, on the shores of Lake George (or Weereewa in the local Indigenous language), near Bungendore, NSW.

The writers gathered at the Centre last month ‘to develop their creative writing from a spiritual base’ under the guidance of Mark MacLeod and Jean Talbot. The writing course created a safe and nurturing environment in which participants were encouraged to be adventurous, experiment with form and feeling, and share their work by reading aloud to the group.

All felt their time at the Centre encouraged deep exploration of their connection with the landscape.



Weereewa

I speak the dialect, I share the currency,but Weereewa is foreign territory to me, a sojourner from the humid north.

Guides lead me up the pilgrim’s path, purple-carpeted by Salvation Jane.Heights humble, offer long perspectives of geological as opposed to human time. Below us, Silver Wattle Point secures a lakeside beach for human habitation.Like local eucalypts, the buildings hunch their shoulders against capricious winds,harnessed for power on farther shores. Boundary fences diminishing to dotted lines, weathered posts and rails, stock gates and grids mark earlier pastoral enterprises by this lake.On the dry lake bed graze kangaroos. Their leaps of faith mock human bounds.

How appropriate, how particularly Australian that Friends should seek to found a centre here at Weereewa, a lake that’s dry in barren seasons, yet remains ready, ever faithful to the promise of cycles of renewal. A vast reservoir of hope.Susan Addison November 2010

Susan Addison, November 2010

Meditations at Silver Wattle

The lake

like a spirit-level

before me,

a scarp behind.

The infinite lines

of the hills to the south

hold my eye;

they retreat from the glare of the sun.

 

Silence across the floor

of the lake,

silence across the floor

of the room.

 

A few well chosen wordsfind their level.

Steve Armstrong November 2010

Walking the sedges

In this way

by small steps

we crush what we cherish

not noticing loss

until suddenly

it’s gone

and dead

is dead

too long.

Virginia Jealous, November 2010

Lifelines

for Steve, at Lake George

There you are

hungrily walking the long flat

watching the contoured slopes, the lake’s

wide open line

stalking something in the distance or, maybe,

something too close to see

weighing each step, each word

like a heavy thing that lightens

as it falls

into these straight lines

Look to the edges. Horizon interrupted

by nothing but the horizon

over there

and here,

inside

Virginia Jealous,November 2010

 

Wee-ree-wa.

North.

Cars race around ancient shores.

Oil power.

Wee-ree-wa.

South.

Lights blaze from village and mine.

Coal power.

Wee-ree-wa.

East.

White sails silently turning.

Wind power.

Wee-ree-wa.

West.

Silver Wattle. Grace and peace.

God power.

Anne Felton October 2010

Haiku from Silver Wattle

Afternoon chill:

clouds close off the sky.

Down here, the blue wrens.

Spring’s here.

Icy winds from the snowfields

haven’t heard yet.

Jean Talbot, November 2010